Academy Design International Nashville Technology
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Oliver Schneller
- Five Imaginary Spaces für Piano und Elektronik (2-6 chan, live)
Hubert Ho, piano
- Rugged Space für Piano, Akkordeon und Elektronik (2-48 chan, live+sfs)
Won-Hee An, piano; Katherine V. Matasy, accordion;
- Cell Cycle (4 channel tape + video projection)
Alexander Schubert
- Laplace Tiger (2009) UA for percussion, sensors, live electronics and live video
Jonathan Shapiro, percussion
- Nachtschatten (2008) 4-channel tape piece
- Weapon of Choice (2009) for violin, sensor, live electronics and live video
Leslie Levi, violin
Die Komponisten
Oliver Schneller was born in Cologne, grew up in Europe, Africa and
SouthEast Asia and studied composition at the New England Conservatory,
Boston and Columbia University in New York where he completed his
doctorate in composition with Tristan Murail in 2002. From 2002-2004 he
worked in Paris as a “compositeur en recherche” at IRCAM. During his
studies he received important orientations from Helmut Lachenmann,
Brian Ferneyhough, Salvatore Sciarrino and Jonathan Harvey.
The focus of Oliver Schneller’s compositional work lies in the creation
of networks between musical instruments, architectural spaces and live
computer processing. Often his works include spatial parameters such as
particular combinations of instruments and loud speakers distributed
throughout the performance space. His works have been presented at
numerous international music festivals including MATA New York,
Festival Agora Paris, Wien Modern, Munich Biennale, Maerzmusik Berlin,
Witten, Ultraschall Berlin, Musica, IFNM Darmstadt, Aspen,
Musicacoustica Beijing, and ICMC 2003 Singapore. He has received
commissions from radio stations in Germany, IRCAM, the Fromm
Foundation, Meet The Composer, Tanglewood, ZKM Karlsruhe, SWR Radio
Symphony Orchestra Stuttgart, Radio France and the Berliner Festspiele.
His works have been performed by ensembles such as Ensemble modern,
Ensemble Intercontemporain, ensemble recherche, musikFabrik, Ictus and
Court-Circuit.
Schneller has held residencies at Cincinnati Conservatory, Takefu
(Japan), ZKM Karlsruhe, Experimentalstudio des SWR Freiburg and is the
recipient of the Fromm Prize, 2 ASCAP Awards, and fellowships from the
Tanglewood Music Center, Columbia University and the German Academy in
Rome Villa Massimo. Schneller currently serves as professor of
composition at the Conservatory of Music in Stuttgart.
Alexander Schubert was born in 1979 in Bremen and studied computer science and biology in Leipzig focusing on neuroinformatics and cognitive science. During his studies he has worked as a musician and composer in a variety of different environments. In addition to this, Schubert worked for one year at the ZKM (Centre for Art and Media) in Karlsruhe at the Institute for Music and Acoustics. In 2007 he started a degree in multimedia composition at the Hamburg Academy for Music and Drama which he finished with a concert exam at the end of 2009 with a grade of 1.0.
Schubert’s research interest explores cross-genre interfaces between acoustic and electronic music. Musical pieces for audio tapes and the formal notation of compositions for live electronics belong just as much to his work as the design of software-setups and manipulation / design of instruments for an intuitive handling in an improvised context (see “Weapon of Choice”). A permanent focus of his work is the combination of notated and improvised music – both in aesthetics and structure.
His technical training is the basis of a differentiated utilization and individual design of sound synthesis and controllers (e.g. in the installation „A Set of Dots“).
Apart from working as a composer and solo musician Schubert is also playing in the ensembles „Schubert-Kettlitz-Schwerdt“, „Trnn“ and „Ember“. Schubert has contributed to a variety of different projects as a musician, composer and programmer (e.g. for the Wiener Festwochen and Staatsoper Berlin). Alexander Schubert curates the music festival contemporary electronic music in Leipzig and runs the publishing company „Ahornfelder-Verlag“ for experimental audio and book releases. He’s an organizing member of the VAMH - a collective maintaining a broad network for contemporary music and organizing an annual two-week long festival.
In 2009 he was awarded with a Bourges residency prize and was a prize winner in the international competition JTTP. In 2010 he is a residency guest at the University of Birmingham and a workshop member for a concert at the Darmstädter Ferienkurse. In 2008 he was a guest artist at the ZKM in Karlsruhe.
His works have been played for example at: ICMC Montreal, ZKM Karlsruhe, SMC Porto, SSSP Leicester, Klangwertage Hamburg, Darmstädter Ferienkurse, Ahornfelder Leipzig, Bipolar Festival Karlsuhe/München/Budapest, Blurred Edges Hamburg, Disparate Bodies Festival Belfast, Headphone-Festival Leipzig, Komponistenforum Mittersill, Maribor Slovenia, Hilltown Festival Ireland, New York, Boston, Katarakt Festival Hamburg, Noisefloor Festival England, Making New Waves Festival Budapest, TU Berlin, Soundcrawl Nashville, Kunsthalle Hamburg, Gijón (Laboral) Spain, EMM Festival Kansas, KlangzeitFestival Münster, ARD Hörspieltage, Steinhardt School of Culture New York, …
Die Aufführenden
Hubert Ho
A native of Baton Rouge, LA, Hubert Ho has been writing music since the age of five. He received his Ph. D. in music composition from the University of California, Berkeley under the guidance of Prof. Olly Wilson. He has also worked with Profs. Cindy Cox, John Thow, Edmund Campion, Edwin Dugger, and David Wessel. He received his B.A. with honors in music and physics at Harvard College. Most recently Hubert‘s music was performed in Carnegie Hall under the Pro Musicis Foundation series. A former United States Presidential Scholar in the Arts, he is a recipient of the Charles Ives Scholarship from the American Academy of Arts and Letters.
Won-Hee An
In a review of the Owen/An Duo’s New York debut at Carnegie Hall’s Weill Recital Hall, given as winners of the Artist International Auditions, the New York Concert Review proclaimed that Won Hee An’s playing “bespoke someone born to the keyboard” and that the duo played with “a tight knit ensemble that underscored individual freedom within the cohesion of mutuality”. Ms. An’s extensive repertoire includes music from all periods and genres. She is an active chamber musician, accompanist, vocal coach, teacher and church musician throughout the Boston area, has worked as the principal rehearsal pianist for the Boston Symphony Orchestra’s Tanglewood Festival Chorus as well as pianist for the Boston Symphony Orchestra. Ms An has performed extensively across the US and Europe at such venues as New England Conservatory’s Jordan Hall, Boston’s Hatch Shell, Alice Tully Hall at Lincoln Center and the Juilliard theatre. She has been an honored participant in such festivals as the Brevard Music Center and the International Institute of Music at the Bayerische Musickakademie. She has recently appeared on Good Morning America, WCVB-TV Channel 5 live telecast from Jordan Hall, and Sundays with Liz Walker as the principal pianist of the Boston Children’s Chorus. Ms. An finished her Bachelor’s degree at the Manhattan School of Music and Master’s degree at the Juilliard School. She completed her Doctorate in May, 2007 at Boston University and currently works as a lecturer at Northeastern University in Boston, MA and Hebrew College in Newton, MA.
Katherine V. Matasy
One of the Boston area’s most versatile musicians, Katherine Matasy has been described by The Boston Globe as “a musician of depth and refinement” with “technique to burn” and her playing praised as “riveting,” “ravishing,” “brilliant” and “a rare feat.” As clarinetist and bass clarinetist in chamber music and orchestra settings, "doubler" in musical theater (flute and saxophone), and classical accordionist, she has performed with most of the region’s major musical organizations, including the Boston Symphony Orchestra, Boston Pops, Boston Symphony Chamber Players, Handel and Haydn Society, Emmanuel Music, Boston Modern Orchestra Project, Pro Arte Chamber Orchestra, Huntington Theater, and American Repertory Theater, among others. Highly regarded as an interpreter of new music, she is a founding member of Dinosaur Annex and a frequent performer with Boston’s many new-music groups.
Trained at New England Conservatory (BM, MM in clarinet), she currently teaches at Wellesley College (clarinet, saxophone, chamber music) and co-chairs the wind department at the Community Music Center of Boston. She has recordings on CRI, Newport Classic, Centaur, Northeastern, Erato, Albany, Bridge, Naxos and RCA.
Jonathan Shapiro
Jonathan Shapiro is an advocate for new music and an active performer of solo and chamber works for percussion. He is the percussionist for the Hamburg based new music groups Ensemble Integrales and Ensemble Wireworks and appears frequently as a guest performer with New York's Alarm Will Sound, Signal, and Newband. Jonathan has also performed with such groups as the Bang on a Can All-Stars, Argento Chamber Ensemble, Talujon, Red Light New Music, Percussion Group Lugano, International Ensemble Modern Akademie, and the Percussionists of the New York Philharmonic. He holds degrees from Interlochen Arts Academy (HS), Manhattan School of Music (BM), and SUNY Stony Brook (MM). Jonathan currently resides in Lübeck, Germany with his wife Maria Bulgakova and their daughter Asya Isabel Shapiro.
Leslie Levi
A native of Paris, Leslie Levi began her musical training when she was five years old. She attended conservatories at Rosny-sous-bois and St Maur before entering the Paris Conservatory at the age of 16, studying violin. Her teachers at that time included Boris Garlitzky, Matis Vaystner, Regis Pasquier and Carole St Michel. She also attended masterclasses given by Donal Weilerstein, Maurizio Fuks, Annick Roussin, J-P Wallez, Yair Kless, Raphael Oleg, Emmanel Borok, Alexandre Brussilovsky and Hagai Shaham. Leslie was awarded the Paris Prize by unanimous vote.
In 2007-2008, she was a Fulbright scholar in the studio of Dana Mazurkevich at Boston University, where she received the Special Grand Prize in the 2008 Bach Competition. She also received chamber music coachings from Peter Zazofsky, Steve Ansell, Lucy Lin and Michael Reynolds.
In addition to classical training, she is also very interested in early music and studied barocco violin with Jane Starkman.
Since May 2009, she has held a MA degree in Performance with distinction from BU. She is currently an Artist Diploma Candidate in the studio of Dana Mazurkevich at Boston University and was awarded the College of Fine Arts scholarship.
As a chamber musician and soloist, Leslie Levi has played in festivals including Nice, Flaine, La nuit des châteaux-musées of Fontainebleau in the Pro Quartet Program and St. Jean de Luz.
She has also participated in workshops for new musical works such as the Cultural Music and Diplomacy workshop at Northeastern University and has premiered the musical work How Now by Betsy Jolas at the Paris Conservatory.
Recent credits include film music recordings, live TV broadcasts and solo performance tours of Germany and Italy.
Her accomplishments include performance under the batons of Pierre Boulez, Shlomo Mintz, David Robertson, Leon Fleisher, Myunn Whun Chung, Emmanuel Krivine, Janos Furst and Lawrence Foster with the Ensemble Orchestral de Paris as well as numerous concerts and recitals throughout Paris.
